You won't get that from here. Two things have made me decide to use the original complete lists: first, I'm too lazy to go back and check the videos to see what I dropped, and second, these lists ARE what I meant to play. My songs choices, more often than not, are made because of the associations I make from one track or group of track to the next, how the basic sounds of the songs relate to one another, both to my ears and my head.
After the opening blasts of Mars Volta and the Buzzcocks (my favorite song of theirs), I slapped together four Detroit tracks. Whenever I need a bundle of loud songs, I fall back on heavy seventies-style songs, and Detroit bands produced so many great ones it's always and easy choice.
I don't love the blues, but I love a lot of blues influenced artists. The next group of songs, starting with Mick Abram's short-lived Blodwyn Pig and ending with Free, is a nice assortment of such music. BP is weird and jazzy, Johnny Winter and Gov't Mule much more traditional, and Free more heavy soul. An important not for anyone whose impressions of Paul Rodgers are based only on Bad Company or the best-forgotten Queen travesty, you need to listen to Free's Fire and Water. It is a perfect record, even with the too-played "Alright Now." Rodgers' voice is never less than amazing and the band plays tight and heavy with perfect control.
Then there's a batch of San Francisco songs. I plan to play a much longer set at some point, but this is a nice introduction and reminder of what good music the city produced fifty years ago. Jefferson Airplane, the Grateful Dead, Quicksilver Messenger Service, and Moby Grape aren't the only bands of note but they are four of the best.
The last songs are just a bunch of cool stuff that sounded good together. That's the real ongoing theme of the show - songs that sound good.